Cole Kazuo Masuno
Cole Kazuo Masuno is a Los Angeles based designer who has received his Bachelors of Architecture (B.Arch) from the Southern California Institute of Architecture (SCI-Arc).
He is currently working at LOHA, and has co-taught as a teaching assistant for various design studios, visual and applied studies seminars at SCI-Arc. Prior to working at LOHA, Cole worked at award winning offices such as Eric Owen Moss Architects, and FreelandBuck.
Cole is a principal/co-founder of Alterity Studio.
He is currently working at LOHA, and has co-taught as a teaching assistant for various design studios, visual and applied studies seminars at SCI-Arc. Prior to working at LOHA, Cole worked at award winning offices such as Eric Owen Moss Architects, and FreelandBuck.
Cole is a principal/co-founder of Alterity Studio.
Things Worth Looking At — What Constitutes A Project...︎
Index
2023
AO Air
Jewelry
2023
AO Table
Furniture
Archive
2022
Engaging Excess
Landscape
2021
The Zipper
Building
2021
Multiples
Building
2020
Accumulating Difference
Building
2019
Ubiquitous Difference
Building
2018
Representation As Reality
Building
2021
Re: Rendering Beaux Arts
Book Design
2022
Artificial Mineralization
Animation
2020
Gaps & Frays
Image
2021
Image Objects
Image
2020
Draw The Line
Drawing
model photograph
REPRESENTATION AS REALITY
Translations from Drawing to BuildingLos Angeles, California
Type: Amazon Fulfillment Center
Instructor: David Freeland
The architectural discipline has relied upon the fundamentals of architectural projection as a tool to describe form and space. An interest in drawings with image-like-qualities motivated an exploration for how graphic notation might reveal material conditions. This project builds upon an understanding of conventions in order to speculate new mediums and hybrid models of representation. Starting from an image of a building, the ghosted mass is retranslated into something physical, existing as both reality and representation.
building elevation drawings
A series of drawings were produced that consider spatial relationships relative to the format of the page. When translated from drawing to physical model, format and drawing conflate tocreate spatial illusions that collapse and inflate depth.Vectors and pixels develop thickness, and begin to describe surface while slipping between thresholds of flatness and illusionary depth. The efficacy of the drawing obfuscates space, creating an indeterminate reading where points conflate as mass.
building elevation drawings
building elevation drawings
model photograph