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<channel>
	<title>Cole Kazuo Masuno</title>
	<link>https://colemasuno.com</link>
	<description>Cole Kazuo Masuno</description>
	<pubDate>Wed, 13 Nov 2024 16:19:01 +0000</pubDate>
	<generator>https://colemasuno.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Home Image Scroll</title>
				
		<link>https://colemasuno.com/Home-Image-Scroll</link>

		<pubDate>Tue, 25 May 2021 03:47:52 +0000</pubDate>

		<dc:creator>Cole Kazuo Masuno</dc:creator>

		<guid isPermaLink="true">https://colemasuno.com/Home-Image-Scroll</guid>

		<description>
&#60;img width="4096" height="2160" width_o="4096" height_o="2160" data-src="https://freight.cargo.site/t/original/i/0d1f6f84df38e2d12c53226c5b0acb4c606a40c6daeeb9df022901bffe6c47c0/0H7A9946.MOV.02_05_51_08.Still001_transform.png" data-mid="191968565" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/0d1f6f84df38e2d12c53226c5b0acb4c606a40c6daeeb9df022901bffe6c47c0/0H7A9946.MOV.02_05_51_08.Still001_transform.png" /&#62;

SF01 — Sculpture



&#60;img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/070afaa66ccdbcfb5d0861f42bcab6a7e5cd6c472c472be773b4d29f6ea4ffda/SF_001.jpg" data-mid="174024753" border="0"  src="https://freight.cargo.site/w/1000/i/070afaa66ccdbcfb5d0861f42bcab6a7e5cd6c472c472be773b4d29f6ea4ffda/SF_001.jpg" /&#62;SF01&#38;nbsp;— Sculpture


&#60;img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/b5271957a977abec25d379d65bc88b5f218856494c244822748b4915983255d0/IMG_7131.jpg" data-mid="196750099" border="0"  src="https://freight.cargo.site/w/1000/i/b5271957a977abec25d379d65bc88b5f218856494c244822748b4915983255d0/IMG_7131.jpg" /&#62;

Love Spell&#38;nbsp;

— 

 Sculpture
&#60;img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/c0a0eb0139f160531734279d89f03d833f46d382e04f97466b0f4487ee261e40/230624_AO_Earring-2.jpg" data-mid="183241619" border="0"  src="https://freight.cargo.site/w/1000/i/c0a0eb0139f160531734279d89f03d833f46d382e04f97466b0f4487ee261e40/230624_AO_Earring-2.jpg" /&#62;(Air)rings —&#38;nbsp;Jewelry 
&#60;img width="10000" height="7071" width_o="10000" height_o="7071" data-src="https://freight.cargo.site/t/original/i/f667a54d35daa997ad0ec129961983f9e04b75d6982df96714688fd5b5826334/232002_AO_Earring-1.jpg" data-mid="173624051" border="0"  src="https://freight.cargo.site/w/1000/i/f667a54d35daa997ad0ec129961983f9e04b75d6982df96714688fd5b5826334/232002_AO_Earring-1.jpg" /&#62;




(Air)rings 

— Jewelry 



&#60;img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/83f084b49824e2ec1f642e3ce971b5634d85d59e6bc7ed8adc8c35d5ca040c14/230304_AO_Table-2.jpg" data-mid="173624067" border="0"  src="https://freight.cargo.site/w/1000/i/83f084b49824e2ec1f642e3ce971b5634d85d59e6bc7ed8adc8c35d5ca040c14/230304_AO_Table-2.jpg" /&#62;AO Table&#38;nbsp;— Furniture

&#60;img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/26184707f9a65020fd00c898188936c8b0f2e2061417d00cff5eb7ecf5454ce5/230223_Oblique.jpg" data-mid="173624133" border="0"  src="https://freight.cargo.site/w/1000/i/26184707f9a65020fd00c898188936c8b0f2e2061417d00cff5eb7ecf5454ce5/230223_Oblique.jpg" /&#62;

AO Table — Furniture



&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/8a8c8aa2c18a8238fc1a8c542fb5cd0598ad21ea48a58eb7e4adb43beba0f6db/ThesisIMG_5997.png" data-mid="140710804" border="0"  src="https://freight.cargo.site/w/1000/i/8a8c8aa2c18a8238fc1a8c542fb5cd0598ad21ea48a58eb7e4adb43beba0f6db/ThesisIMG_5997.png" /&#62;


Among Other Things 

—

 Thesis&#38;nbsp;



</description>
		
	</item>
		
		
	<item>
		<title>SF01</title>
				
		<link>https://colemasuno.com/SF01</link>

		<pubDate>Wed, 27 Sep 2023 06:02:56 +0000</pubDate>

		<dc:creator>Cole Kazuo Masuno</dc:creator>

		<guid isPermaLink="true">https://colemasuno.com/SF01</guid>

		<description>&#60;img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/efb5ec7b5f5e4a5e9a384d5a93fbca3bd271d15c9f90c866ff2d2bc96b8d4336/SF_001.jpg" data-mid="191969153" border="0"  src="https://freight.cargo.site/w/1000/i/efb5ec7b5f5e4a5e9a384d5a93fbca3bd271d15c9f90c866ff2d2bc96b8d4336/SF_001.jpg" /&#62;







2-1/2” O.D Bent H.S.S. 15’-0” in length.






SF01Slope Finding Device
Type: SculptureCinematography by Diane Lac&#38;nbsp;︎︎︎

&#60;img width="4096" height="2160" width_o="4096" height_o="2160" data-src="https://freight.cargo.site/t/original/i/0be78776be0b050f33624576d93188d1572048f1699e0f16466dd7a3f78df87c/0H7A9946.MOV.02_05_51_08.Still001_transform.png" data-mid="191968767" border="0"  src="https://freight.cargo.site/w/1000/i/0be78776be0b050f33624576d93188d1572048f1699e0f16466dd7a3f78df87c/0H7A9946.MOV.02_05_51_08.Still001_transform.png" /&#62;




33” &#38;amp; 29 3/4” CLR with Kink at Transition

&#38;nbsp;

Slope Finding Device is a tool that facilitates the physical experience of slope. SF01 proposes a set of possible relationships - between the object and the floor, which are the two elements that compromise the work.
The device is first constructed from a spline, and then split into a two-segment curve that results in a partial circle. The large, heavy, bent work consists of 13 sintered iron wheels, welded onto a 15 foot structurally rolled, square tube. Unlike a conventional tool, the device has an almost averse reaction to the ground, to the point to which it can not stay still.
The floor usually appears unremarkable at first, but as it is used, worn, and accrues cracks overtime, it becomes a site that holds many different stories. SF01 encounters the floor as a record of remembered experience. As it rolls, Each scratch demonstrates the evidence of human occupancy.
Witnessing this motion undoes the passive assumption that the ground is flat, and instead redirects our attention to the existing characteristics of the space itself.





&#60;img width="4096" height="2160" width_o="4096" height_o="2160" data-src="https://freight.cargo.site/t/original/i/02669c86748f1496edfc751ea6ba90714634190c2673ab1ae11174609b7eeefd/0H7A9957.MOV.02_07_13_05.Still002.png" data-mid="191968771" border="0"  src="https://freight.cargo.site/w/1000/i/02669c86748f1496edfc751ea6ba90714634190c2673ab1ae11174609b7eeefd/0H7A9957.MOV.02_07_13_05.Still002.png" /&#62;














SF01, or Slope Finding Device can be exhibited in any location, as long as the wheels are parallel to the floor.











&#60;img width="4096" height="2160" width_o="4096" height_o="2160" data-src="https://freight.cargo.site/t/original/i/51678cc56915d1fa86f207736008d2fee8ed038af583a2d41a2bd03c80849bf2/1.png" data-mid="191968774" border="0"  src="https://freight.cargo.site/w/1000/i/51678cc56915d1fa86f207736008d2fee8ed038af583a2d41a2bd03c80849bf2/1.png" /&#62;











In order to use the device, gallery staff must first verify in field the highest point of elevation in the exhibition space, to determine the most significant location of slope.






&#38;nbsp;






&#60;img width="4096" height="2160" width_o="4096" height_o="2160" data-src="https://freight.cargo.site/t/original/i/2fe5252c620c6e3f09f58e6b370bd68e934f47049592a9b7a0ffe0b47bc1d025/4.png" data-mid="191968956" border="0"  src="https://freight.cargo.site/w/1000/i/2fe5252c620c6e3f09f58e6b370bd68e934f47049592a9b7a0ffe0b47bc1d025/4.png" /&#62;





The perpetual transformation of SF01 is a requirement of its display.




 


</description>
		
	</item>
		
		
	<item>
		<title>Love Spell</title>
				
		<link>https://colemasuno.com/Love-Spell</link>

		<pubDate>Sun, 05 Nov 2023 20:15:10 +0000</pubDate>

		<dc:creator>Cole Kazuo Masuno</dc:creator>

		<guid isPermaLink="true">https://colemasuno.com/Love-Spell</guid>

		<description>&#60;img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/a0e2e0edc5bc148e742462b20e75d0f35c357984c66905305f474fa67887d1f9/IMG_7131.jpg" data-mid="196750160" border="0"  src="https://freight.cargo.site/w/1000/i/a0e2e0edc5bc148e742462b20e75d0f35c357984c66905305f474fa67887d1f9/IMG_7131.jpg" /&#62;








5052 Aluminum, and fragrant infused pigmented thermoplastic.&#38;nbsp;





Love SpellA Familiar Smell
Type: Sculpture

&#60;img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/b771dbcd787395cb46af7a92bd610c87d637eea572173064f8301e851e4dc3a4/IMG_7128.jpg" data-mid="196750166" border="0"  src="https://freight.cargo.site/w/1000/i/b771dbcd787395cb46af7a92bd610c87d637eea572173064f8301e851e4dc3a4/IMG_7128.jpg" /&#62;




18”x24” relief with hex standoffs.

&#38;nbsp;
Love Spell’s slow-release, chemical limmerance represents the fragrance composition and color of mango.

The public restroom channels memories of our everyday lives, of familiar smells that are packaged, and shipped in bulk as industrial goods.&#38;nbsp;When removed from it's context and framed, the urinal screen becomes strange and elegant.




</description>
		
	</item>
		
		
	<item>
		<title>(Air)rings</title>
				
		<link>https://colemasuno.com/Air-rings</link>

		<pubDate>Wed, 13 Nov 2024 16:19:01 +0000</pubDate>

		<dc:creator>Cole Kazuo Masuno</dc:creator>

		<guid isPermaLink="true">https://colemasuno.com/Air-rings</guid>

		<description>&#60;img width="2400" height="3000" width_o="2400" height_o="3000" data-src="https://freight.cargo.site/t/original/i/82a42c58ba901de69b2ee566e785bd5996d4d4c1a77fadc8fc94744099c837a8/Airings_SophieAkoury-1.jpg" data-mid="221712538" border="0"  src="https://freight.cargo.site/w/1000/i/82a42c58ba901de69b2ee566e785bd5996d4d4c1a77fadc8fc94744099c837a8/Airings_SophieAkoury-1.jpg" /&#62;








Sophie wearring (Air)rings. 





(Air)ringsFrom Plastic to Precious Metal&#38;nbsp;
Type: Jewelry&#38;nbsp;Coming Soon ︎︎︎

︎


Featured in Jai Street Magazine Issue 02, currently being sold globally ︎︎︎


	&#60;img width="2400" height="3000" width_o="2400" height_o="3000" data-src="https://freight.cargo.site/t/original/i/07c980777f462d84ba1e093c8aaef7166b2668dcf36839346a715cb077a27d43/air.jpg" data-mid="221712982" border="0"  src="https://freight.cargo.site/w/1000/i/07c980777f462d84ba1e093c8aaef7166b2668dcf36839346a715cb077a27d43/air.jpg" /&#62;
	&#60;img width="2400" height="3000" width_o="2400" height_o="3000" data-src="https://freight.cargo.site/t/original/i/120c70a7506d69acebca88f993bdcb5b81667b16649dc72baaffde044bccdfda/ring.jpg" data-mid="221712981" border="0"  src="https://freight.cargo.site/w/1000/i/120c70a7506d69acebca88f993bdcb5b81667b16649dc72baaffde044bccdfda/ring.jpg" /&#62;





925 Hollow Metal Silver earrings.

&#38;nbsp;
(Air)rings are the result of an alchemical transormation from plastic to precious metal. 

This 

 change in material triggers a perceptual shift that departs from our original perception of the source material.

What was formerly headphones, are now rendered futile and broken by aesthetic choices. The right way to wear the earring is wrong; they’re rotated 180 degrees and worn upside down. There’s a sort of sacrilegious-humor to the piece, just like turning a cross upside down, there’s a rejection of corporarte values by functionally breaking the object of mass production.




</description>
		
	</item>
		
		
	<item>
		<title>Among Other Things</title>
				
		<link>https://colemasuno.com/Among-Other-Things</link>

		<pubDate>Fri, 06 May 2022 17:19:46 +0000</pubDate>

		<dc:creator>Cole Kazuo Masuno</dc:creator>

		<guid isPermaLink="true">https://colemasuno.com/Among-Other-Things</guid>

		<description>




&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/4516834e797d59d221020fcf31840dab398373fef5ad2b404e618f2fe9ba096d/Thesis_Testa_SP22_Masuno_Cole_RN_01.png" data-mid="141863648" border="0"  src="https://freight.cargo.site/w/1000/i/4516834e797d59d221020fcf31840dab398373fef5ad2b404e618f2fe9ba096d/Thesis_Testa_SP22_Masuno_Cole_RN_01.png" /&#62;
&#60;img width="3000" height="3000" width_o="3000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/7dbcc3dbffc0f16ce4f012eac3518c32b3055131016cff2a3e0311bd52ea2dc4/Thesis_Testa_SP22_Masuno_Cole_RN_02.png" data-mid="141863630" border="0"  src="https://freight.cargo.site/w/1000/i/7dbcc3dbffc0f16ce4f012eac3518c32b3055131016cff2a3e0311bd52ea2dc4/Thesis_Testa_SP22_Masuno_Cole_RN_02.png" /&#62;


Scenographic View around Sunset Boulevard




AMONG OTHER THINGS&#38;nbsp;Los Angeles Archipelagos



Los Angeles, California&#38;nbsp;Type: Mixed-Use, Urban PlanningThesis Advisor: Peter Testa&#38;nbsp;Published: The Plan Magazine’s Architects of Tomorrow Award 2022 Finalist ︎︎︎


An architecture in the company of other things is loose, local, and informal in it’s arrangement. This thesis looks at what an architecture of accumulated objects could mean, through juxtaposition and proximity as opposed to a universal ordering system. As Los Angeles moves to densify, the creation of a new type of urban enclave presents a de-centered, diverse, open, and climate responsive alternative as a new urban form.&#38;nbsp;
The thesis project, situated on the eastern end of Sunset Boulevard, responds to changing urban ecologies by offering a multi-scalar contextualism of unlike things. A densely packed + loosely arranged collection of buildings (programs, and landscape) argues for loose equivalence, in order to produce new forms of sociability through new relations between strategy and space.

&#60;img width="4000" height="2200" width_o="4000" height_o="2200" data-src="https://freight.cargo.site/t/original/i/a6b5278cd6b77a1a3259dd4e2f5924f60aa695d4de3000fbc952cf7407cd34ae/Thesis_Testa_SP22_Masuno_Cole_RN_03.png" data-mid="141863781" border="0"  src="https://freight.cargo.site/w/1000/i/a6b5278cd6b77a1a3259dd4e2f5924f60aa695d4de3000fbc952cf7407cd34ae/Thesis_Testa_SP22_Masuno_Cole_RN_03.png" /&#62;








Scenographic View from Sunset Boulevard










This thesis project can be told through two LA Stories, one that takes place On Sunset and Around Sunset. On sunset: identifies the local position of this
architectural strategy in the geomorphology of Los Angeles, in an area set in-between multiple neighboring structures. Around Sunset: recognizes the urban arrangement in the context of the larger city, a strategy that could be realized anywhere but is particular to here. While the site is geographically isolated, this urban
anomaly offers a laboratory to explore alternative urban and architectural form.



&#60;img width="1920" height="2223" width_o="1920" height_o="2223" data-src="https://freight.cargo.site/t/original/i/623af763b1be68c4a0d9bef90162bb79300bf8a3dd0562babde68e7f443143ef/Thesis_Testa_SP22_Masuno_Cole_RN_05.png" data-mid="141864165" border="0"  src="https://freight.cargo.site/w/1000/i/623af763b1be68c4a0d9bef90162bb79300bf8a3dd0562babde68e7f443143ef/Thesis_Testa_SP22_Masuno_Cole_RN_05.png" /&#62;
&#60;img width="1920" height="2223" width_o="1920" height_o="2223" data-src="https://freight.cargo.site/t/original/i/bebc37f725dfaa6b2c3a78481a156b3d107b3f6586a09fb4f452c247588015ba/Thesis_Testa_SP22_Masuno_Cole_RN_04.jpg" data-mid="141864331" border="0"  src="https://freight.cargo.site/w/1000/i/bebc37f725dfaa6b2c3a78481a156b3d107b3f6586a09fb4f452c247588015ba/Thesis_Testa_SP22_Masuno_Cole_RN_04.jpg" /&#62;


interior views 










The site is located on Sunset Blvd in Los Angeles CA, which is the location of the former Metropolitan Water District headquarters
designed by William Pereira, and belongs to the area of Elysian Park, Los Angeles’ last remaining hill not to be razed by development.
What surrounds the proposed mixed-use development are the subset of leftover conditions, institutional relics, and back-end retail
that are the residual symptoms of zoning regulations. This strange mix of buildings comes as no surprise - because The city is itself an assemblage of nothing in particular. By understanding the value of the pre-existing and the new as both equally relevant qualities, the
creation of a new type of urban enclave will respond to different ecologies and economies by challenging the self-enclosed nature of
such enclaves.




&#60;img width="4267" height="2347" width_o="4267" height_o="2347" data-src="https://freight.cargo.site/t/original/i/2aa6f4f3ca0e6fc73f44d1ba2a5412ab29ef75d195140555fc69df31ca15628f/Thesis_Testa_SP22_Masuno_Cole_LN_01.jpg" data-mid="141865108" border="0"  src="https://freight.cargo.site/w/1000/i/2aa6f4f3ca0e6fc73f44d1ba2a5412ab29ef75d195140555fc69df31ca15628f/Thesis_Testa_SP22_Masuno_Cole_LN_01.jpg" /&#62;

site plan 




What remains of the Perreria building today is the constructed isolation of a proto-modernist schematic form, imposed on a sloped site without a perimeter. The
building complex in it’s current condition is a casualty of policy, changes in ownership, and the failure of a building due to it’s details. Removing the extensively damaged and vacant Pereira buildings on the campus will open up more possibilities for the site; if they remained the existing fabric would limit developmental
strategies. 

&#60;img width="2880" height="1620" width_o="2880" height_o="1620" data-src="https://freight.cargo.site/t/original/i/3536cfac26a22dc1b6e79a441b49dea6912d8dccf996e0acfd284a6aa1919354/1.jpg" data-mid="168968332" border="0"  src="https://freight.cargo.site/w/1000/i/3536cfac26a22dc1b6e79a441b49dea6912d8dccf996e0acfd284a6aa1919354/1.jpg" /&#62;
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model sequence





I initially explored this idea of the urban enclave through studies of differentially scaled, or separately legible elements, which are both densely packed and loosely arranged. Each massing alternates in orientation, scaling, programming, and materiality. I was able to open up the site by considering multiple
orientations, views, airflow, visual and physical access.&#38;nbsp;

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model sequence







The project responds to multiple scales of the city through both local and global arrangements. This thesis aims to produce an extended vocabulary of typology by understanding architecture as a set of fundamental forms, that are able to be re-arranged, and playfully organized.




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model photos 




The form of a building can always be otherwise, but it is through organizational principles new relational strategies and mixed typologies emerge from.







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model photos 
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